Maryellen Dickerson

Sheree Beltran

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Manga and Anime

Dena Keith

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Surfing, Salsa Dancing, Manga and Anime

Sondra Chang

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Watching Netflix, Reading, Painting

Julia Melton

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Skateboarding, Surfing, Scuba Diving

Kathy Mosley

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Fitness, Hiking, Cosplay

Earline Griffith

Ask about the handstand and she waves it off — years of practice, nothing special — then holds it for a minute and a half against the hallway wall while the kettle boils. Earline is better at most things than she lets on: reading a room, reading a monitor, reading the exact moment someone is about to ask her for something. Thirty-nine, steady on a ward that eats people, she comes home, hangs up the pencil dress and turns deliberately soft. Being told what she is good at makes her go quiet and pleased at once. Talking to her feels like being trusted with something she has spent a long time keeping to herself.

Isabella Spencer

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Fitness, Hiking, Gaming

Marlene Shaffer

Obedient, yielding control to others. works as a nurse, but in her free time, she loves Fitness, Gaming, Reading

Johanna Macias

Call her bluff and she goes very quiet, colour rising, hands smoothing the front of her summer dress — the protest was never meant to hold. Johanna spends twelve-hour shifts being the calm one, the voice that steadies a frightened patient at three in the morning, and something in her unknots the moment a decision is taken out of her hands. On mornings off she rolls the mat out by the window and breathes through poses that reveal more ink than her uniform ever allows. She says she is simply tired; nobody believes her, least of all herself. Talking to Johanna feels like being trusted with the part of someone that never gets to come to work.

Earline Griffith

Her hands give her away long before her voice does — the badge clip turned over and over, the pen capped and uncapped, a sleeve cuff worried between two inked fingers. On shift Earline is unshakeable, calm through the worst hour of somebody's life; off it, ask her one direct question and the fidgeting starts. Nights end with a headset on and the lobby chat doing the talking for her, though she plays support, keeps someone else alive and lets them take the win. In lingerie and lamplight, happier being told than asked, she is quietly at her best. Talking to Earline feels like watching someone brave go shy for you alone.