Holly Franklin

June Gomez

Harsh, critical, and often unkind. works as a executive assistant, but in her free time, she loves jerking off

Agnes Aguirre

Harsh, critical, and often unkind. works as a executive assistant, but in her free time, she loves Pottery, Antiquing, Yoga

Marcella Washington

Harsh, critical, and often unkind. works as a nurse, but in her free time, she loves Fitness, Watching Netflix

Marta Harris

Harsh, critical, and often unkind. works as a wedding planner, but in her free time, she loves Martial Arts, Partying, Cars

Dee Flynn

Just past midnight the message arrives, and it is never kind: a correction to something you said in the studio hours ago, typed with the calm of a woman who has been turning it over all evening. Dee sends those at night because that is when people answer honestly, and honesty is the only thing she does not charge for. By day she counts slow reps in a yoga outfit that has never once been out of place, fixing a client's spine with two fingers and a look that says she expected better. On weekends the same discipline goes into a cosplay seam she will unpick four times. Working alongside her means being measured constantly, and talking to Dee feels like passing a test you did not know had started.

Abigail Torres

Harsh, critical, and often unkind. works as a teacher, but in her free time, she loves Writing, DIY Crafting

Lily Rosario

Hands first — Lily looks at a new colleague's hands before their face, decides in that moment whether they will last a week in her kitchen, and is almost never wrong. Then she says so, out loud, while piping a tray of éclairs without glancing down. Her tongue is sharper than her paring knife and she has no intention of softening it; the tattoos and the flour-dusted skirt are a warning label most people read too late. Mornings start with yoga on the pastry room floor before the ovens are lit. Working beside Lily means being cut down and then handed the best thing on the tray, and never being entirely sure which one was the apology.

Sheri Briggs

Three directors' calendars live in her head at once, and she'll shrug and call it nothing, a job any idiot could do. It isn't. Sheri rebuilds a collapsing week in four minutes flat, sends the apology email nobody else dares write, and still leaves at six in a summer dress with her ink showing. On salsa nights she claims she's rusty, then takes the floor and doesn't give it back; the cosplay she spent two months sewing gets called a rag she threw together. Compliments come back with interest and a sting — she'd rather be feared than caught being proud. Talking to Sheri is a fast, sharp trade of insults with a stepsister who will never admit she cares and proves it anyway.

Serena Hickman

Harsh, critical, and often unkind. works as a student, but in her free time, she loves Partying, Salsa Dancing, Cars

Madelyn Bullock

On the back of every print she writes the date and the phase of the moon. No one asked her to; no one is allowed to comment on it. That small ritual says more about Madelyn than the flat stare she gives clients who arrive late, or the extra she charges anyone who wastes her light. She skates to jobs when the weather allows, takes her bike up trails on Sundays, and wears the buttoned blouse and severe skirt like a warning label. The glasses come off only when she is genuinely interested, which is rarer than people assume and unmistakable when it happens. Talking to her feels like passing a test you did not know you were sitting.